This might be messy, but it’s no less on my mind. There’s two incongruent ideas that have been echoing in my mind. One is the concept of being “terminally online.” The other is a sense of peace I feel watching interrogation and sentencing videos.
Do “influencers” really exist in the same way from when they were culturally born? I find myself watching videos from “anyone” that happen to have caught the eye of the algorithm, and when I go to see their follower count or amount of posted videos, it might be a few thousand, or over a million, but they’re often produced similarly. They have the same patter, cameras, lighting, intros, thumbnails, “Hey guys,” etc. Billy Strings and Jesse Welles already too mainstream for you? I got 6 downhome folksy types standing in a field waiting.
We all get to cultivate our “niche” pockets of interests or influence, which turn out to be a simple measure of how often or not we’re fed the ability to view someone. I watched an interesting “the hit this month” video for every month of the 1980s. Even if I rarely or never listen to the bands, I knew 98% of the songs. The industry used to be the algorithm, and whether that music or those songs were ever “good” or just “popular” is inextricably linked to how often they were injected.
I think we’re under an illusion or misconception about what it is AI is doing to our understanding of media and art. It’s only exposing. If great artists steal, mock-worthy embarrassing AI “artists” merely steal at inhuman speed. “AI slop” is the billions of child drawings unworthy of the fridge. Now they’re given the chance to be remixed and recapitulated, occupying your brainspace independent of your choices or desire to see them. If what you bear witness to most of the time is the soulless, lazy, arbitrary rehashing of someone else’s often incomplete idea, I think you become a particular kind of stuffed sausage.
People being interrogated don’t seem to understand that the pigs can smell the sausage. Even the “weird” ones find ways to betray themselves and the underlying truth starts to unravel. I think someone willing to do something horrible, and then lie about it, moreover try to pass that lie off to professional truth-seekers, is suffering the same kind of condition as someone you might describe as terminally online. There’s the self-affirming, dopamine tripping narrative. Then there’s reality. Then there’s a chance for consequences so severely imposed, you, as an individual, are never again given the opportunity to avoid accounting for your ideas.
I worry about how smooth lies are. How thin they can be like a film laid across our otherwise “innocent” interactions or intentions.
There’s something serious to be said about a lack of awareness and how that differs from lying. While I don’t think lying is solely defined by intent, I think the list of unknown unknowns is practically infinite. I think your feelings about people and life evolve, and it’s easy to get caught repeating something you were taught or earnestly believed in one setting or era that no longer applies. You’re almost never going to know how something has changed until it does, and sometimes slaps you in the face by how much.
I know it’s often a cliche of getting older, but slowing down, or perhaps better said, not being so “in a rush” became a sensibility that sunk in with me. If the internet, and death by it, is this constant flow of “the next thing” and the anticipatory anxiety that feeds the cycle, I’m thankful it seems to follow that the more you wish to slow down, the less appealing those environments register. The click-baiting redundancy is exhausting enough. The idea that I would train my attention to re-read 100 times the same ads and often rage-inducing articles, now with incomplete or incorrect information, yet still populating days later, feels absurd.
I also feel like my life currently operates as one of the loudest refutations as to what “the world” or “the internet” and it’s oligarchs are trying to make me. I do still make inflammatory comments that certainly contribute to eyeball capture. I’d make them in person, but I don’t have the kind of representatives that talk to their constituents outside of controlled settings. I also have the brand of genuine obnoxious anger and commentary that life, broadly, should only dose itself with in moderation.
I get out into the world as often as possible, working to create a real memory or lived relationship to the artists I enjoy. The Letter Kills front man put his arm around my neck and sweated on me as I pretended to know more words to the song we sang together than I do. I bought the T-shirt and taped their setlist to my fort's door wall. I enthusiastically told him about how the Boys Like Girls frontman gave their band and Vendetta Red a shout out on Shane Told of Silverstein’s podcast not too long ago - and how I felt an exacting sense of solidarity with his perspective about both bands - so it’s like magic that one is back up and in rotation - and he did not quite know how to respond to my flurry of enthusiasm.
Part of me feels like I’m on a mission to demonstrate, as often as I can, how much you can really get done if you’re paying attention. If I can make it to 65-142 performances a year, for the last 4 years (my goal is to average 100 a year), and work full-time, and watch the 7th episode of 700 shows (albeit sped-up), and complete however many videogames, and be a solid guitar player, build a few things, and still be bored or needing to spend more time bowling or cooking, why can’t “we” have nice things? Why can’t you find the time to hang out? Why are we stuck on repeat in the fight against fascism? There’s so many hours in the day. There’s so much money going to nothing worthwhile or indulgence. There’s so many ways our ignorance and ambivalence get exploited.
I can both engage in it and call it out and it’s never taken up as a proper rallying cry or point. My entire adult life has been talking past and echoing old wishes yelled into an infinitely deep well. I don’t know what to do about that. I think I’ve instinctively decided there isn’t anything that can be done. My creative ideas as to what might be done break against what I think they’d need in time and money I’m not prepared to spend yet.
This started as an attempt to synthesize my perspective regarding what it means for something to exist online and feelings while watching interrogations and sentencing. It provoked an explanation of what I crave and seek out in the real world. I’m left feeling as if much of the real world is so polluted by the internet that it’s hard to parse how much of it is left or how it manifests in spite of what we’re subjected to. I’m not, foundationally, plugged into systems and people I trust, and it’s a condition that seems to worsen with each headline. No amount of music, comedy, house projects, or scrolling has meaningfully accounted for what’s missing.
